Articles

In-depth analytical articles on Indian IP law including prosecution,enforcement, statutory interpretation and case developments

Copyright in Music – Composers, Lyricists and Performers

Music is among the oldest and most universal forms of human expression and it is also among the most legally complex categories of creative work that copyright law is called upon to protect. A single commercially released song involves, in the ordinary case, at least three distinct creative contributions – the musical composition created by […]

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Trademark Infringement under Section 29 – A Complete Analysis

Trademark law exists to protect two distinct but related interests simultaneously. It protects the proprietor of a registered mark against the unauthorized use of that mark by others who would free-ride on the reputation and goodwill that the proprietor has built. And it protects consumers against confusion – against the risk that they will be

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Industrial Applicability as a Patentability Criterion under the Patents Act, 1970

Among the three foundational criteria that a patent applicant must satisfy to obtain a grant  novelty, inventive step and industrial applicability industrial applicability is perhaps the least litigated and the least theoretically contested, yet it performs an indispensable function in defining the outer boundary of the patent system’s reach. It is the criterion that ensures

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Copyright in Cinematograph Films – Ownership, Rights and Exploitation

Few creative works demand as much capital, coordinate as many individual contributions, or generate as much commercial activity as a cinematograph film. A feature film involves the labour of writers, directors, composers, lyricists, performers, cinematographers, editors, sound designers, visual effects artists and hundreds of others whose individual creative contributions are assembled, over months or years,

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Trademark Rectification Proceedings – Sections 57 to 60 of the Trade Marks Act, 1999

The Register of Trade Marks is not an immutable document. While registration confers significant legal presumptions in favour of the proprietor and is treated as prima facie evidence of validity under Section 31 of the Trade Marks Act, 1999, the register is not beyond challenge. Marks may find their way onto the register through error,

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Revocation of Patents under Section 64 – Grounds and Procedure

A patent, once granted, is not inviolable. The Patents Act, 1970 recognizes that the grant of a patent is an administrative act performed on the basis of an examination that, however thorough, may not always capture every deficiency in an application whether a failure of novelty, an insufficient disclosure, a statutory exclusion that was not

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Moral Rights and Author’s Special Rights under Section 57 of the Copyright Act, 1957

Copyright law operates on two distinct but interconnected axes. The first is economic – the bundle of exclusive rights that allows a creator to control the reproduction, distribution, performance and communication of their work and to extract financial value from it. The second is personal – the connection between a creator and their work that

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Non-Patentable Subject Matter in India: A Complete Guide to Section 3

The grant of a patent is not an automatic entitlement that follows from novelty or inventive step alone. Before any invention can be examined on those standard criteria, it must first clear a foundational threshold: it must constitute a patentable subject matter under Indian law. The Patents Act, 1970 draws this threshold with deliberate precision

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