Copyright Law

Copyright in Music – Composers, Lyricists and Performers

Music is among the oldest and most universal forms of human expression and it is also among the most legally complex categories of creative work that copyright law is called upon to protect. A single commercially released song involves, in the ordinary case, at least three distinct creative contributions – the musical composition created by […]

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Copyright in Cinematograph Films – Ownership, Rights and Exploitation

Few creative works demand as much capital, coordinate as many individual contributions, or generate as much commercial activity as a cinematograph film. A feature film involves the labour of writers, directors, composers, lyricists, performers, cinematographers, editors, sound designers, visual effects artists and hundreds of others whose individual creative contributions are assembled, over months or years,

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The Indian Performing Right Society Ltd. v. Mr. Aditya Pandey & Anr.

High Court of Delhi at New Delhi | CS(OS) 1185/2006 & I.A. Nos. 6486/2006, 6487/2006, 7027/2006; CS(OS) 1996/2009 & I.A. No. 13692/2009 Background The Indian Performing Right Society Ltd., referred to throughout as IPRS, is a non-profit cooperative body incorporated in August 1969 with the object of monitoring, administering and enforcing the performing rights of

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Penguin Books Ltd. v. India Book Distributors & Ors.

Delhi High Court (Division Bench) | AIR 1985 Delhi 29 | 1 August 1984 | Avadh Behari Rohatgi, J. Background Penguin Books Ltd. of England, the plaintiff-appellant, is one of the world’s most recognized publishing houses. It held territorially exclusive licenses and assignments of copyright in 23 titles for the Indian market – including celebrated

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Yash Raj Films Pvt. Ltd. v. Sri Sai Ganesh Productions & Ors.

Delhi High Court | CS(COMM) 1329/2016 | 8 July 2019 | Manmohan J. Background Yash Raj Films Pvt. Ltd., the plaintiff, is one of India’s most prominent film production houses with an established reputation in the domestic and international film industry. On 10th December 2010, the plaintiff released its Hindi film Band Baaja Baaraat across

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Moral Rights and Author’s Special Rights under Section 57 of the Copyright Act, 1957

Copyright law operates on two distinct but interconnected axes. The first is economic – the bundle of exclusive rights that allows a creator to control the reproduction, distribution, performance and communication of their work and to extract financial value from it. The second is personal – the connection between a creator and their work that

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Fair Dealing under Section 52 of the Copyright Act, 1957 – A Comprehensive Analysis

Copyright law is, at its core, a bargain. Society grants creators a bundle of exclusive rights over their works for a limited period, in exchange for the enrichment that creative expression brings to public life. But the bargain was never intended to be unconditional. An absolute monopoly over the use of a work would impede

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